Compare and contrast Grand Odalisque and Velazquez's Princess Essay

Comp ar and contrast lofty Odalisque and Velazquezs Princess - Essay ExampleThe painting also represents an eclectic mix of styles that combine classical form with wild-eyed themes, which is a contrast to contemporary style and content. Las Meninas (1656) represents a masterpiece of Spanish painting by Diego Velazquez, and single of the most prominent paintings. The painting also doubles up as one of the most disputable and imitated painting in history. The painting depicts a scene from daily life within the palace of Felipe IV in which the Princess is at the centre in the company of her ladies-in-waiting (Meninas). Naturalism of the painting with its impact of spontaneity and relational informality should be understood within the context of Velazquezs identity as a administration painter and a member of the court of Philip IV (Mitchell 58). The painting demonstrates Velazquez skill in the utilization of claroscuro in which the point of light lights up the characters and establ ishes an order within the composition. I am drawn to these machination workings owing to the praise and criticism that they draw. Grande Odalisque, for instance, corpse one of the Ingres most popular nudes given that the anatomical twirls of the odalisque head for the hills to fascinate art fans. The paper compares and contrasts two masterpiece paintings belonging at diverse artistic periods and expatiate distinct characteristics of artists distinct styles, namely Jean-Auguste-Dominique Ingres and Diego Velazquez. Grande Odalisque/Une Odalisque Stylistic Characteristics Grand Odalisque The painting contains a clear outline and elongate style highly typical of the Neoclassic movement hence, the female figure within the painting is accentuated by light and possess a distinct contour highlighted by the setting of the darker movement. This renders the painting to be highly sensual, realist, and romanticized. Use of space The body of the nude occupies the entire frame of the canvas in which her head, elbow, and buttock are only few inches away from the edge of the canvas, and her toes extend beyond the bounds of the edge. Techniques One of the techniques that Ingres employs features his anatomical distortion as seen in the female nude. In Grand Odalisque Ingres drew extended sinuous lines to lengthen her hindquarters and pelvis area. Critics claim that the lack of anatomical realism makes her body appears boneless. Use of color Ingres use of color is carefully planned, whereby he differentiates the warm tones vis a vis the cool colored silk. Lighting The foreground of painting remains completely unlit heralding focus to the long and affective body of the odalisque. It appears that major spotlight awarded to her body, especially fervor and drawing attention to the areas that he elongates (her arm, back, and pelvis area). Tone The Grand Odalisque is sensual and erotic, whereby the odalisque is offering herself to the sultan, but offers save a small preview of her body. Brushstroke Ingres employs tight brushwork to attain his near photographic realism. Ingres incorporates the likeness of the texture of the casts skin, the velvet, and the silk. Cultural Context Grand Odalisque In the artwork, Ingres has generated a fresh aloof eroticism emphasised by its exotic context. The painting reflects sensual fascination with the orient and portrays his attraction for foreign eroticism. Some art historians cite the elongation of the Odalisque